Sunday, April 21, 2019
Philosophy and theory of architecture Essay Example | Topics and Well Written Essays - 3500 words - 1
Philosophy and theory of architecture - Essay  simulationIn so doing, it discusses the  grow of this phenomenon, and surveys the different phases it has been and is going through and its physical spread and influence as fountainhead. That is, it takes a tour through both changes over time as well as spatially. The  focussing is mainly on the architecture of Buddhist temples, particularly those  lay down in China. However, as the reader  allow for come to know, if not known already, in Buddhism there is a variety of buildings that  are considered as  ghostlike or spiritual spaces besides temples. A case study is made of the Baima Si, which is the White Horse  temple in the Henan province of China. This temple (Si) was chosen for its historical significance, as will be explained later, as well as the fact that it represents a unique amalgamation of architectural styles. It  similarly functioned as a  poser for other such buildings and thereby played a pivotal role in moulding a  excess    wave of thinking on architecture, which makes it deserve serious attention. For contrastive purposes, important comparisons are  withal drawn with architectural features belonging to Buddhist temples elsewhere in the world, especially in other   furthermostther Eastern countries that are heartlands of Buddhism. In addition, some comparisons are also highlighted between Buddhist architecture and what is found in other  ghostly architectural expressions, especially of Christian, Hindu and Islamic origin. After the distinguishing and other special features are identified for Chinese Buddhist temples, an attempt is then made to explain these and the philosophy  quarter them. Buddhist architecture In Buddhism, although the temple is the main place for spiritual practices, there are also other spiritual spaces. These are the pagodas, which are towers like broader based minarets, stupas, which are dome shaped monuments, and grottos, which are caves used for specific spiritual practices wi   thin a more isolated environment. They are all  holy and made to be serene and tranquil. The temples function more as monasteries for collective practices. As far as Chinese temples are concerned, Buddhist philosophy has been described as the greatest impetus behind religious art and architecture in China (Phuoc, 2010). Initially, Buddhism was practised in ordinary settings in China, such as peoples houses,  only if as demand grew, then special buildings were constructed. These buildings proved to be far more interesting than the Confucian and Taoist places and rich in architectural detail reflecting an equally richer philosophy. Hindu and Islamic philosophies of architecture share some commonality with Buddhist architecture. The Hindu influence is mostly  patent in the early temples. Thus, there is a direct connection with Hindu architecture as they gave roots to Buddhist architecture. Connections with other religions are more indirect. A prominent style of Christian architecture w   as  chivalric architecture during the medieval period. This was related with scholastic philosophy (Radding & Clark, 1994) in which there was an attempt to develop a comprehensive and integrated solution for various tasks including the construction of churches. An interesting parallel is drawn between the ideas of St. doubting Thomas Aquinas who was one of these aforementioned philosophers and Buddhist architecture in that he saw churches as  symbolising heaven on earth. This is similar in some ways to the Buddhist concept of heaven but with some fundamental differences. Whereas only one heaven is envisaged in Christianity   
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